Winifred Letts / Playwright, poet, novelist

Winifred M. Letts

Playwright/ Poet/ Novelist/ Nurse/ Wartime Masseuse

Manchester & Dublin

1882 - 1972

“There are two things you did as Miss Letts which are no longer appropriate, now that you are Mrs Verschoyle – attend the Arts Club on Fitzwilliam Street and swim at Seapoint Tower” the words of 67 year old William H. Foster Verschoyle,  to his new wife, Winifred Letts. At the time, Winifred (Win) was 44 years of age - a published poet, novelist, playwright and a qualified masseuse who had seen, and been through, the horrors of WWI.  And Win was a lady who knew her own mind.

At 16, she persuaded her parents to allow her to move from boarding school in the English midlands to Alexandra College, Dublin, because she had loved so much the holidays she had spent in Ireland, at her mother’s home in Knockmaroon, on the edge of the Phoenix Park. At 25, she challenged what she described as her ‘Unionist, Protestant’ upbringing by attending the Abbey Theatre and, after experiencing a performance of Synge’s ‘Riders to the Sea’, she felt inspired to start writing.

What followed were two plays that were both accepted by The Abbey, Ireland’s National Theatre.  She was only the second woman – the theatre’s co-founder, Lady Gregory having been the first - to have her work staged at the Abbey.  She went on to publish nine novels and a book of poetry throughout the following nine years. And then the first world war started.

‘The Spires of Oxford and Other Poems’, published in 1917, dealt not with the glory of war, but with the gore – Win wrote about the individuals affected by wartime horrors; the boy who gave his precious wits, the young man lying helpless in a hospital bed, the deserter shot at dawn. Win saw this reality through her work as a VAD (voluntary aid detachment nurse) and later, through her work as a masseuse, treating military personnel who had lost limbs. Her poetry predates the protest poetry of Wilfred Owen and Siegfried Sassoon.   

After her marriage to William in 1926, Win moved into one of his Dublin properties, 19 Fitzwilliam Square. Win survived the gloom of town life by befriending children who lived on the lane at the back of the houses, and by spending weekends in Kildare, on William’s country estate, immersed in the beauty of nature. She was active with the Fresh Air Fund, Wild Flower Society, Irish Women Writers’ Club and many charitable organisations.

In a 1957 interview in The Irish Times, Win described herself as “a period piece, a has-been, totally unknown to this generation.” In 1969, she told Maeve Binchy that the only reason she was interesting was because she knew so many of the people Ireland then cared about. For seventy years, Win’s life and works slowly disappeared from view. Until now.

Our thanks to Bairbre O'Hogan for researching and writing up this fantastic piece.

MARY PEARSE / Musician, teacher, actress, author


Musician, teacher, actress, author



Mary Bridget (later changed to Mary Brigid) was born in Dublin on 26th April, 1884 and was the youngest of four children born to James and Margaret Pearse; her siblings were Margaret, Patrick and Willie. She was a musician, teacher, actress and author of short stories, children’s stories, and plays.

From an early age, she showed considerable aptitude for music, particularly the piano. Through her membership of the Gaelic League (Conradh na Gaeilge), she met Owen Lloyd who became her harp teacher. Under Lloyd’s guidance, Mary Brigid progressed quickly on the Irish and concert harps and performed at concerts of An t-Oireachtas with Lloyd's band of harps. She also won several prizes at harp competitions organised by An t-Oireachtas and performed regularly at branch meetings of the Gaelic League in Dublin. In 1910, Mary Brigid succeeded Owen Lloyd as harp teacher at St Enda’s (Scoil Éanna) in Rathfarnham, the bilingual school founded by her brother Patrick.  She also provided piano and voice lessons as part of the extra-curricular activities offered at the school.

Between 1910 and 1912, her literary works, which comprised largely of one-act plays or adaptations of novellas by Charles Dickens, were performed by the Leinster Stage Society at the Abbey Theatre. After the execution of her brothers Patrick and Willie in 1916, Mary Brigid chose to remain out of public and political life. As her mother and sister were increasingly burdened with the legacy of Patrick and Willie, she focused on teaching music and writing at her home in Dublin. Her first novel, The Murphys of Ballystack, was published in 1917.  Although the book was well received, this literary success was short-lived and she struggled to have her work published in the following decades.

During the 1920s and early 1930s Mary Brigid spent much of her time writing short stories, plays, children’s stories and articles. She wrote over twenty short stories and commenced two other novels, Curly and the Persian and The Romance of Castle Bawn. Her best-known literary work is The Home-Life of Pádraig Pearse, published in 1934. The book is essentially a collation of a series of articles which she contributed to the Christian Brothers’ magazine, Our Boys, in 1926 to mark the tenth anniversary of the 1916 Rising. The publication of the book should have been a personal and professional triumph for Mary Brigid, but it coincided with a particularly turbulent period in her life which was marked by the death of her mother in 1932 and a bitter dispute with her sister Margaret over the terms of their mother’s will and Margaret’s appointment as executrix. 

Mary Brigid continued to write and teach harp, piano, cello and mandolin throughout the 1930s and 1940s and participated in several broadcasts about her brother Patrick. She suffered from high blood pressure and neurosis and died, aged sixty-three, on 12 November 1947. The Home-Life was later republished in 1979 to mark the centenary of Patrick Pearse’s birth, but to date her other literary works have not been published.

Many thanks to Teresa and Mary Louise O’Donnell for this herstory. Their book Sisters of the Revolutionaries: The Story of Margaret and Mary Brigid Pearse is available at Irish Academic Press.

MARGARET PEARSE / Educator, politician, Irish language activist

Margaret Mary Pearse

Educator, politician, Irish language activist



Margaret Pearse was the older sister of Irish patriots Patrick and Willie. She was an educator, politician and Irish language activist.

Margaret was born on 4 August 1878 at 27 Great Brunswick Street (now Pearse Street), Dublin. She and Patrick were enrolled at a private school at 28 Wentworth Place, Dublin in 1886/7 and in 1891, she attended the Sisters of the Holy Faith School, Clarendon Street. She excelled at school, receiving first place in all subjects and, like all her siblings, she loved reading and recitation. After completing her studies, Margaret studied Domestic Economy at the Rathmines Technical Institute (College of Commerce) and received a certificate of competency from the Leinster College of Irish.

In 1905 Margaret accompanied Patrick on a trip to Belgium to observe methods of teaching languages and approaches to bilingualism. This encouraged Margaret to establish a small preparatory school for girls and boys at their home in Leeson Park, Donnybrook in 1907. Her school was a success and it became the preparatory school of what would later become one of the most radical educational projects in Irish history, namely, Scoil Éanna/St. Enda’s, Ranelagh and later Rathfarnham. She was assistant mistress, taught French and religion, and ran the school until its closure in 1935.

Although Margaret took no part in the 1916 Rising, she was aware of ammunitions made and stored at St. Enda’s School in the lead up to Easter 1916. She described the Rising as 'tragic but glorious' and opined that despite the great loss experienced by her and her family, they took comfort in the fact that Patrick and Willie would spend eternity together.

From 1916 until her death, Margaret attended State and public ceremonies in honour of her brothers. From 1933 to 1937, she served as a Fianna Fáil TD for County Dublin and, in 1938 was elected to Seanad Éireann where she served for three decades. Margaret rarely spoke in the Dáil or Seanad. In contrast, she was more outspoken on contemporary political, social and cultural issues in her public addresses. Her politics were simple and transparent; she believed in a 32 county republic with Irish as its first language. She regarded partition as “the greatest evil at present in this country”. Outside politics and cultural activism, Margaret spent much of her time responding to queries relating to Patrick’s literary works, requests to visit St. Enda's and posting photographs, books and other memorabilia of her brothers. She was elected honorary life President of the Holy Faith Past Pupils’ Union and was a devout Catholic.

From the 1960s onwards, Margaret spent extended periods at the Linden Convalescent Home, Blackrock and was regularly visited by political and public figures. Unfortunately, she was unable to attend the official Fiftieth Anniversary Commemoration of the Rising, but was brought on a stretcher to Dublin Castle to receive her honorary Doctorate of Laws. Margaret died on 7 November, 1968 and received a State funeral.

Many thanks to Teresa and Mary Louise O’Donnell for this herstory. Their book Sisters of the Revolutionaries: The Story of Margaret and Mary Brigid Pearse is available at Irish Academic Press.

COUNTESS MARKIEVICZ / Politician, revolutionary & suffragette


Politician, revolutionary, suffragette

1868 - 1927

Sligo / Dublin

In her native Sligo and in Dublin, government office blocks, playing fields, housing estates and even a swimming centre are named after Countess Markievicz, born Constance Gore Booth – probably the most celebrated Irishwoman after Queen Meabh.

Markievicz is known first and foremost for her role in the 1916 Rising. During Easter Week, she joined the Irish Citizen Army group that took over St Stephen’s Green and subsequently retreated into the Royal College of Surgeons. Her tall figure in full uniform topped with her favourite hat caused much comment, and a rumour later spread that she had shot dead a policeman at St Stephen’s Green on the opening morning of the Rising. Since she hadn’t yet arrived at the Green at the time, the story - which has taken a firm hold in 1916 folklore - should be treated with deep scepticism.  

When Markievicz surrendered at the RCSI, she famously kissed her gun before handing it over to Captain Charles de Courcy Wheeler, who was a distant relative.

Markievicz was a member of the tight-knit Anglo Irish ruling class, so it was little wonder that she was related to Wheeler. Born in 1868, she was the first of five children born to Sir Henry Gore Booth and his wife Georgina. An outgoing and happy child, she became well known locally for her skill as a horsewoman.

As a young adult, she studied art in London and later Paris, where she met her husband Casimir Markievicz. With their only child Maeve and Casimir's son Stanislaus, the couple decided to settle in Dublin in 1903, earning a living first as artists and later in the theatre.

Although a lively city, Dublin at the time had the worst slums in Europe and the highest rate of infant deaths. By 1908, Markievicz, with her social conscience awoken, had joined both Maud Gonne's Inghinidhe na hÉireann, a republican women's group, and Sinn Fein. A year later, with the help of Bulmer Hobson, she founded Na Fianna Éireann – a paramilitary version of the boy scouts. Without the Fianna, Padraig Pearse would say, 1916 would not have happened.

By the time of the great Lock-Out of 1913, Markievicz was a committed follower of James Connolly. Always a woman of action, she organised a soup kitchen at Liberty Hall for the thousands of families who were struggling to survive during this blackest of periods in Irish history. The ordinary people of Dublin would never forget her kindness.

After the shattering failure of the Easter Rebellion, Markievicz's death sentence was commuted to life imprisonment. She would spend several months in Aylesbury women's prison in England where she was treated as a common criminal, no better or worse than the thieves, murderers and prostitutes making up most of the prison population. It was the first of five terms of imprisonment.

In 1918, while back in jail at Holloway, Markievicz was elected to the House of Commons, creating history as the first woman to be elected a British MP. Like the other Sinn Féin members, she did not take up her seat, and in 1919 helped establish the illegal Dáil Éireann in Dublin. With her background in labour relations, she was the obvious choice for Minister for Labour. That made her only the second woman in the world after the Bolshevik revolutionary Alexandra Kollontai to hold a cabinet position in government.

After the Anglo-Irish Treaty was signed in 1922, Markievicz left government along with de Valera and others who opposed it. The "hardliners", as they were called, would spend the next few years on the run when a brutal civil war erupted between those who supported the Treaty and those who saw it as a tainted compromise. Sinn Féin had refused to sit in the new Dáil but, as time went by, it was clear that a compromise was needed if the "hardliners" were to have any influence on Irish politics.

In May 1926, the inaugural meeting of Fianna Fáil at the La Scala theatre in Dublin was chaired by Markievicz, with de Valera as party leader. She was duly elected as a Fianna Fáil TD at the elections of June 1927, but already ill, was never to take her seat.

On 15 July 1927, Constance Markievicz died, aged 59. The funeral that followed was one of the largest ever seen in Dublin, with ordinary citizens turning out in their thousands to pay tribute to their "Madame" – a woman who had always fought their corner and whom they had taken to their hearts. A true patriot.

Thanks to author Lindie Naughton for this herstory. Lindie's book Markievicz: A most outrageous rebel is available through Irish Academic Press.

KATHERINE JONES / Viscountess Ranelagh


Intellectual / Patroness of science & education

1615 - 1691

Youghal / London

Katherine Jones (née Boyle), Viscountess Ranelagh was born in Youghal on 22 March 1615. She was the fifth daughter and seventh child of Richard Boyle, first Earl of Cork (1566-1643) and his second wife Catherine Fenton (c.1588 - c.1630). Not much is known about Ranelagh’s educational background, as her father didn’t provide formal education for any of his daughters. In September 1624, when she was 9½ years old, Katherine left her family as she was contracted to marry Sapcott Beaumont, and thus moved to live with his family in Leicestershire. The marriage alliance broke down after Thomas Beaumont’s death when the family asked for an extra £2000 on top of the £4000 dowry already agreed. Thus, Katherine returned home for two years until at age 15 she married Arthur Jones, heir to the first Viscount Ranelagh.

Over the first ten years of their marriage, Katherine and Arthur had four children, Catherine (b. December 1633), Elizabeth (b. 1635), Frances (b. 17 August 1639), and only son Richard (b. 8 February 1641). However, the pair’s marriage was not a happy one, with there even being suggestions of infidelity on Arthur’s part. In 1641, Ranelagh and her four children were besieged in Athlone Castle for many months after the outbreak of the Irish uprising. In a letter to her father, Katherine recounts her experiences of this time, and states that the rebel leader James Dillon, not only offered, but also ensured her safe passage from Athlone to Dublin. After escaping the siege, Katherine moved to London and lived apart from her husband, forging a space for herself to become involved in many intellectual, religious and political activities.

Katherine made the most of her location and connections in London and very quickly became integrated into parliamentarian politics. In 1644, she urged Sir Edward Hyde to try to reconcile the king and parliament. In 1647, she was paid an allowance of 6s. by the House of Lords, and was later granted a pension of £4 by the House of Commons. However, by this time she was disappointed in Charles I’s actions, and expressed this disappointment in a letter to his sister (Queen of Bohemia) dated 7 August 1646. By 1648 she had no faith left in the king and now believed that he should be stripped of most of his powers and that the governance should lie with the parliament.

From 1643, Katherine was closely acquainted with the international correspondence network known as the Hartlib circle. It is believed that it was her aunt Dorothy Moore who persuaded Katherine to support Samuel Hartlib’s endeavours. Ranelagh shared his interest in education and new scientific investigations and was regarded by his circle as a patroness and was often described as the ‘incomparable’ Lady Ranelagh. Between the 1640s and 50s she was involved in Hartlib’s projects for educational reform, chemical and medical investigation and political reform in Ireland. In September 1656, Katherine left England to spend two and a half years in Ireland in order to help in the reclaiming of Boyle family estates in Ireland while also trying to pursue a settlement from her husband. Throughout this time Katherine continued to discourse with Hartlib and his associates, and struck up friendships with Irish based members of the network including William Petty, Miles Symner, and Robert Wood. Katherine returned to England on 15 February 1659 with two of her daughters and upon her arrival in London she continued to pursue her complaints against her husband, and was almost successful until parliament was brought to a premature end.

After the Restoration, Katherine moved to the Pall Mall where she was assigned two houses on the south side by her brother-in-law Charles Rich. In 1668, her youngest brother Robert Boyle (the famous physicist) moved into Katherine’s Pall Mall home, where the pair would live together for the last 23 years of their lives. During Robert’s formative years as a scholar, his sister is said to have guided him in many ways. Arguably her most important intervention was her convincing him not to join Charles I’s Royalist army, but she also guided his academic career by reading drafts of his manuscripts and offering constructive criticism. Thus, it is no surprise that after his move to London, they continued to collaborate on various projects, and her importance to her brother is evidenced by the fact the he appointed her one of the executors of his will, bequeathing her a ring for her to wear in memory of him.  He also intended to give to her his collection of medical recipes in order to ensure that they did not enter the hands of those whom he would not want to have them. However, she predeceased him by one week on 23 December 1691, and both are buried in St Martin-in-the-Fields, London.

Throughout her life, various people celebrated Ranelagh’s actions, but none more than Gilbert Burnet, who was the Bishop of Salisbury from 1689 until his death in 1715, was able to encapsulate the impact she had on those she was connected to. While giving the sermon at Robert’s funeral, Burnet took the time to also lament Lady Ranelagh’s recent passing. While Burnet celebrated the pair’s connection by stating that, ‘such a sister became such a brother,’ he also elaborated on Ranelagh’s reputation separate to her brother. He stated that Ranelagh had ‘lived the longest on the publickest Scene, she made the greatest Figure in all the Revolutions of these Kingdoms for above fifty Years, of any Woman of our Age’.  He celebrated her charitable nature and asserted that she went about her endeavours ‘with the greatest Zeal and most Success that [he had] ever known.’ It is clear from his oration that he agreed with those who had described Ranelagh as ‘incomparable.’

Many thanks to Evan Bourke for this herstory.

Image credit: Michelle DiMeo

MARY ANN MCCRACKEN / Philanthropist, social activist & abolitionist


Philanthropist, social activist and radical, abolitionist, proto-feminist & businesswoman

1770 – 1866


Born in Belfast on 8th July 1770 to Captain John McCracken and his wife Ann, Mary Ann McCracken was the fifth of six surviving children. The McCracken brood were educated at David Manson’s co-educational school on Donegall Street, where corporal punishment was unheard of, boys and girls were taught as equals and learning was facilitated through play.

From childhood, Mary visited and assisted at the first Public Charitable Institution in Belfast, established by her uncles, Robert and Henry Joy. She later became Secretary of the Ladies Committee within the organisation. Alongside her elder brother, Henry Joy McCracken, she ran a non-denominational Sunday School for Belfast’s poor children (despite being a Presbyterian). It was through Henry that Mary was first introduced to the Society of United Irishmen, in which she became heavily involved. During Henry’s imprisonment in Dublin’s Kilmainham Jail, Mary regularly wrote to him about the developing situation in Belfast and on at least one occasion argued for equality of the sexes.

In R.M. Young’s, “Historical Notices of Old Belfast and its Vicinity,” Mary’s first biographer, Anna McCleery, wrote that “she was long a member of an anti-slavery society. She abstained from sugar for many years, which must have been a great privation, as she was fond of it.” Her name is listed among the committee members on the 1846 ‘Address from the Committee of the Belfast ladies' Anti-Slavery Association to the ladies of Ulster,” and her letters to Dublin-based historian R.R. Madden often voice abolitionist sentiments. Through this correspondence, Mary also assisted Madden in writing the seven volume corpus, ‘The United Irishmen: Their Life and Times’.

Despite speculation about Mary’s relationship with United Irishman Thomas Russell, who was hung in 1803 for his part in Emmet’s failed rebellion, Mary never married. She did however, raise a child. In the aftermath of Henry’s execution, a little girl named Maria was revealed as his illegitimate daughter. Mary was quick to take the girl into the family despite the reservations of her brother John. Mary and Maria were not to be parted until Mary’s death in 1866.

A busy social activist, Mary began a muslin business with her sister Margaret, where the rights of workers were given upmost priority. She was involved in the Society for the Relief of the Destitute Sick and a member of the Belfast Ladies Clothing Society which provided blankets and clothes during the Famine. She was on a committee to prevent the employment of climbing-boys and she was a member of the Belfast Workhouse committee. The Ladies Industrial School considered Mary a ‘beloved friend’ who never missed a weekly meeting as long as she was able to attend. In the school’s 1866 report, a short obituary fondly described Mary’s “ardent charity, her large and tender sympathy, her sweet humility and self-forgetfulness.”

Our thanks to Cathryn Bronwyn McWilliams for this contribution to our celebration of Irish women through the ages.





1917 – 1993

The world has a fascination with the city that never sleeps and few have captured its contradictions but one who did was a character known only as "The Long Winded Lady", a lady who must've seemed to her readers to be the definitive New Yorker but was actually a Dubliner called Maeve Brennan.

Maeve was born in Dublin to Úna and Robert Brennan in 1917. Hers was a Republican household and with both parents being involved in the struggle, the young Maeve witnessed many house raids and arrests that no doubt left an impression. Maeve's family left Dublin in 1934 when her father was offered a post in the US legation in Washington. Maeve completed her studies in the US, graduating with a degree in English and when her parents returned to Ireland in 1944, Maeve and her sisters remained in America.

Maeve started her career working as a copywriter in Harpers Bazaar, holding her own in a largely male workforce. She was known for her wit and her distinctive style. One of Maeve's colleagues at this time was Truman Capote who, some say, based his famous character Holly Golightly on the charming Maeve who too always seemed to live beyond her means.

It was, however, in her role at the literary magazine The New Yorker that Brennan really found fame, albeit under a pseudonym. The New Yorker had a section called "The talk of the town" and Maeve contributed to it under the name of the Long Winded Lady. The Lady's articles were a snapshot of life in the small restaurants, busy streets and cheap hotels across the city of New York. Brennan was fascinated with people and was always completely detached in her writing, she was the observer or the outsider looking in and her writing was a tribute to what she called the most "reckless, most ambitious, most confused, most comical, the saddest, the coldest and most human of cities". Brennan also published short stories within the New Yorker, the majority being set in her beloved Dublin and although these stories were published in book form in the US, they unfortunately were never published in Ireland.

Maeve continued to submit stories and columns to the New Yorker up until the late 1970s but her battle with mental illness meant that she was not as prolific as she had been. For Maeve things that had once been eccentricities became obsessions. Eventually Maeve became destitute and homeless and in 1981 she largely disappeared from New York life. A few years later she was found lodging in a nursing home, and in 1993 she died of a heart attack.

Maeve Brennan was a literary treasure that few of us knew we had. She is a reminder to us all that there is a story behind the face of everyone you see, be they the rich people you see entertaining in restaurants or the poor homeless woman you see wandering the streets.

Thanks to Herstorian Gráinne Kennedy for this herstory.

Photo credit: Karl Bissinger

DAME KATHLEEN LONSDALE / Scientist, Educator & Activist


Scientist, Educator and Activist

Kildare / Essex / London / Leeds

1903 – 1971

Kathleen Lonsdale was an outstanding scientist who made enormous contributions to the field of crystallography, a science which studies the order of atoms and molecules in crystals. The Nobel Prize winner Dorothy Hodgkin quite rightly said of her: 'There is a sense in which she appeared to own the whole of crystallography in her time'.

Born Kathleen Yardley in Newbridge, County Kildare on 28th January 1903, she moved to Essex in England with her mother and siblings in 1908. Kathleen excelled at the girls school but maths and science weren’t offered so she attended the local boys school for these subjects. After a Bachelor of Science from Bedford College for women in London in 1922, she studied for a Master of Science at University College London (UCL) where she met William H. Bragg. He offered her the chance to learn about the very new science of X-ray crystallography at the famous Royal Institution in London, where she was awarded a Doctor of Science in 1936 from UCL.

She married Thomas Lonsdale in 1927, who stated that he was attracted to Kathleen because of her mathematical ability and he said to Dorothy Hodgkin that 'he had not married to get a free housekeeper.’ The Lonsdales then moved to Leeds for three years and while at the University of Leeds Kathleen made an enormous breakthrough. Chemists had been arguing for over 100 years about the arrangement of atoms in a molecule called benzene, an important part of gasoline. It was first isolated in 1825 by Michael Faraday but the order of the atoms was hotly contested. Fast forward to 1928 and Kathleen Lonsdale uses X-ray crystallography to work out the order of atoms in hexamethylbenzene. Note hexamethylbenzene, not benzene - benzene at room temperature is liquid but Kathleen needed a solid crystal for her crystallography experiment.

Kathleen was a Quaker strongly committed to pacifism, which meant she would not comply with the mandatory war duties during the Second World War. She was fined £2 but refused to pay, so in 1943 she was sent to Holloway prison in London for a month. She subsequently became a lifelong supporter of prison reform and was a regular prison visitor to women's prisons.

Her full list of accolades includes admission as one of the first women fellows of the Royal Society in 1945 (a very prestigious honour indeed), receipt of the first female professorship at UCL in 1949, appointment as a Dame Commander of the Order of the British Empire in 1956 and election as first woman president of the British Association for the Advancement of Science (BAAS) in 1968. The BAAS promoted science education, which she strongly believed in. She once made an important note to herself that clearly highlights this: 'Never refuse an opportunity to speak in schools'. This incredible woman achieved all of this without compromising her beliefs, family relationship or social responsibility.

Thanks to herstorian Claire Murray for this herstory. 

Image: Kathleen Lonsdale, Acc. 90-105 - Science Service, Records, 1920s-1970s, Smithsonian Institution Archivess

KATHLEEN DELAP / Irish Countrywomen's Activist


Irish Countrywomen’s Activist



Kathleen Delap was born Kathleen Orpen 1910 in Dublin. She had a comfortable upbringing in Carrickmines, where tennis and garden parties were the norm; servants worked in the large family home; and her early education came via governesses. Her father, Charles St George Orpen, was brother of the painter, Sir William Orpen.

She studied architecture at UCD for four years, but did not complete her degree. At 23, she married Hugh Delap, an engineer.

The two of them jointly designed their modernist house, Ards, in Cabinteely, which was built in 1938. They had four children. Ards was to become a focal gathering point for family and friends. At Ards, Delap used a haybox cooker, was sorting rubbish for recycling long before the word was ever in wide circulation. She grew her own vegetables and fruit, kept hens, and cultivated a lovely flower garden.

In the 1930s, Delap, along with her sisters, Cerise, Grace and Beatrice, joined the Irish Countrywomen’s Association (ICA). The ICA was exactly as old as she was, having been formed the year she was born.

Delap went on to become a influential and thoughtful leader within the organisation, whose progressive ideas shaped the physical and psychological welfare of many women living in rural Ireland. Her focus was on how women living in rural Ireland – as so many were in the first half of the twentieth century – could be empowered.

She is quoted as saying that she believed the average countrywoman’s most pressing needs were: “money which she can call her own, horticultural and agricultural advice, better housing and advice on food and nutrition, health and hygiene, child care, home planning and management.”

Delap drew attention to how this could be done through horticulture, poultry, crafts income, and education, editing the ICA news in the then Farmers’ Gazette.

At that time, farmers – overwhelmingly male – tended to spend money on a piped water supply for their cows, but not for their homes. The ICA controversially openly discouraged women from marrying farmers who were not also committed to paying for a piped water supply to their houses.

In time, she became the ICA’s honorary secretary, and became known as the face of the organisation, even though she never wanted to be its president. She was involved in founding An Grianan, the ICA’s residential adult education college in Co Louth.

By 1965, the ICA had over 20,000 members.

Delap was a member of the 1970s Commission for the Status of Women. She was a founder, and later, an honorary member of the National Women’s Council of Ireland. She kept a diary all her life, until the day before she died, in 2004.

Her obituary in The Irish Times described Kathleen Delap as a women who “acted locally, thinking globally.”

It also included the anecdote from her funeral, as told by her son Michael. In 1995, when Bill and Hillary Clinton visited Dublin, she was invited to a lunch with Hillary Clinton. She turned it down, because she had a prior ICA appointment, the organisation to whom she had a loyalty that overrode even a lunch invitation with the woman who could well be the first female president of the United State.

Thanks to Rosita Boland for Kathleen’s herstory.

Image: ICA women





Belfast / Cambridge

born 1943

Professor Dame Jocelyn Bell Burnell is one of Ireland’s most distinguished scientists. She made one of the most sensational discoveries in astrophysics when, in 1967, she discovered the pulsar. She is popularly known for being overlooked for the 1974 Nobel Prize for Physics, awarded jointly to her PhD supervisor Professor Anthony Hewish and Dr Martin Ryle, but her achievements in a life devoted to astrophysics have been recognised with several honorary doctorates, positions at prestigious international universities and research institutes, and in 2008, election as first woman president of the Institute of Physics.

As a PhD student at the University of Cambridge in November 1967, Bell Burnell discovered a new type of star, the radio pulsar. Cambridge was a leading centre for the new science of radio astronomy, which pushed the detection and observation of galaxies past the capabilities of optical telescopes. The signal that would cause a sensation in astrophysics appeared, in Bell Burnell’s words, as a “half an inch of scruff” on three and a half miles of paper printouts from the radio equipment.

The pulse that launched Bell Burnell’s career was a regular signal from 200 light years away, at approximately one pulse per second, initially named ‘Little Green Man 1’. How could an object with fixed co-ordinates emit a regular pulse, unless it was intelligent life? But Bell Burnell found pulses from other locations, putting to rest the short-lived alien life hypothesis.

The Cambridge team realised that the pulses were gravitational waves from a neutron star, the dense core left behind after a supernova. These compact planet-sized objects possess massive reserves of compressed energy and very strong magnetic fields, with radio waves emanating from the north and south poles rotating like a lighthouse beam. The discovery was published in Nature in 1968, with Bell Burnell’s name listed second of five authors after Hewish.

Controversy arose in 1974, when Hewish and Ryle were awarded the Nobel Prize for Physics. Bell Burnell is stoical about her exclusion from the award: “At the time of the prize, I had a child about 18 months old and was trying to keep working and it was proving very difficult. In those days, mothers didn’t work. So, a bit of me said, yes, men get prizes, and women look after babies.” She was an outlier from the beginning of her career – the only woman on her degree course at Glasgow University, and one of only two women to hold university chairs in physics in the UK at the time of her appointment to the Open University in 1992.

Growing up during the ‘space race’, Bell Burnell’s lifelong fascination with astronomy was fostered through childhood visits to the Armagh Planetarium, and she performs her research in perfect balance with her Quaker faith. For her, the scientific process of theory, experimentation and result analysis perfectly complements Quakers’ lifelong faith formation. She cautions against the belief that science can reveal ultimate truths about life and the universe, ‘If we assume we have arrived, we stop searching. We stop developing.’ Her philosophical approach to science makes her a passionate ambassador for the sciences and one of the leading astrophysicists alive today.

Thanks to herstorian Dr. Angela Byrne for this herstory.

HANNA SHEEHY SKEFFINGTON / Suffragette & Republican

Suffragette & Republican



As a tireless campaigner for female suffrage, this Irish woman endured imprisonment and hunger strikes for her activism. Her fight, and that of many other Irish women, coincided with the Irish struggle for independence – a struggle she saw as inextricably linked to female emancipation. Even great personal tragedy did not diminish her fervour in the fight for women to be equal citizens.

Irish suffragette Hanna Sheehy Skeffington (1877-1946) was at the forefront of the fight for women’s rights as equal citizens of Ireland. As a republican, Sheehy Skeffington also fought for an independent Ireland, but always related this struggle to how it would impact on women.

In 1909 she was quoted saying ‘Until the women of Ireland are free, the men will not achieve emancipation.‘ Historian and biographer of Sheehy Skeffington, Margaret Ward, stated that Hanna Sheehy Skeffington ‘challenged both the imperial connection with Britain and the patriarchal domination of women in Ireland with great courage and consistency.‘

Women’s fight for gaining equal rights, which at the beginning of the twentieth century focussed on gaining the vote, was not merely a figurative fight. It often resulted in the public demonisation of suffragettes, loss of employment, imprisonment and sometimes even loss of life. British suffragette Emily Wilding Davison threw herself in front of King George V’s horse at the Epsom Derby on 4 June 1913. It is believed, this was done in an attempt to draw attention to the fight for women to receive the vote. Davison subsequently died from her injuries.

Like many other suffragettes, Hanna Sheehy Skeffington was imprisoned many times for her activism. Today it is difficult to believe, what forceful opposition women encountered who demanded to enjoy the same rights as men.

Sheehy Skeffington came from a privileged household and belonged to a new generation of Irish women who were able to graduate from university. After studying French and German, she worked as a teacher. Thanks to her father David Sheehy, a member of the Irish Republican Brotherhood, who had been imprisoned several times in his life for revolutionary activities, Hanna was introduced to political activism from a young age. In 1902 she helped to found the Women Graduates’ and Candidate Graduates’ Association, which aimed to promote the advancement of women in university education.

In 1903 she married Francis Skeffington, a fellow suffragist, pacifist and writer. In a move that was very unusual for the time, they took each other’s surnames to highlight the equality of their relationship. The couple had one son, Owen, born in 1909. Joining forces in the fight for women to receive the vote, the Sheehy Skeffingtons, together with Margaret and James Cousins, founded the Irish Women’s Franchise League in 1908. In addition, Hanna was a founding member of the Irish Women’s Workers Union (1911). She also contributed to Ireland’s first feminist newspaper, The Irish Citizen, the official organ of the Irish Women’s Franchise League.

The first militant activity by Irish suffragettes occurred in June 1912, when the Irish parliamentary party failed to support women’s suffrage. In protest against the exclusion of women from the franchise of the Third Home Rule Bill, Sheehy Skeffington and other women gathered outside Dublin Castle throwing rocks at its windows. The women, including Hanna, involved in the militant protest were arrested and imprisoned for a month.

Sheehy Skeffington was imprisoned again in 1913 for protesting against Edward Carson. During her trial, she was accused of assaulting a police officer during the protest. The sergeant claimed that he was still able to feel the pain hours after the alleged assault. A claim that caused laughter in the court room, since the policeman was of much bigger statue than Sheehy Skeffington.

While in prison, the women would use hunger strikes as a means to protest against the treatment of suffragettes by the Irish authorities. In turn, the authorities responded with force-feeding the hunger strikers, a procedure that was described by the women who had to endure it as a degrading violation of their bodies. In addition to the hardship of imprisonment, Hanna also lost her teaching post due to her political activism.

In 1916 Sheehy Skeffington had to endure a great personal tragedy when her husband Francis was executed without trial on 26 April for his involvement in the Easter Rising. Although a supporter of Home Rule, Francis was a pacifist and concerned by the growing militarism of the movement. During the Rising he attempted to organise anti-looting bands to limit the destruction of local businesses in Dublin. With no clear reason given for his arrest and without receiving a trial, Francis, wearing his Votes for Women badge, was murdered by firing squad.

After Francis’ death, Hanna worked on making public the facts surrounding the arrest and killing of her husband. She went on a speaking tour in the United States from October 1916 to August 1918. One of her speeches from that tour, British militarism as I have known it, was published as a pamphlet in 1917. Since Sheehy Skeffington was forbidden by the British authorities to return to Ireland, she was arrested again after her US speaking tour came to an end. Her release was granted after she went on hunger strike.

In the 1920s and 1930s, Sheehy Skeffington continued to be politically active as an organising secretary of Sinn Féin and member of numerous committees and organisations, such as the Irish White Cross, the Women Prisoners’ Defence League and the Women’s International League for Peace and Freedom. She supported herself and her son by working as a journalist, as well as giving public talks and lectures.

In the 1943 general election Sheehy Skeffington stood unsuccessfully as an independent candidate in support of the Women’s Social and Progressive League, which she had hoped would emerge as a women’s party. She died on 20 April 1946 and was buried beside Francis in Glasnevin cemetery in Dublin.

Thanks to the tireless and brave campaigning of women like Hanna Sheehy Skeffington, Irish women were granted the vote in 1922.

Thanks to Anne Rosenbusch for her biography.

FANNY JENNINGS / The duchess nun

FANNY JENNINGS, Duchess of Tyrconnell

St Albans / Dublin / St Germain

1647 – 1730

Fanny Jennings, was an intriguing woman whose sobriquets included ‘the duchess nun’ and ‘the white milliner.’ Born near St Albans in England in 1647, at sixteen she was appointed maid of honour to Anne Hyde, Duchess of York. Miss Jennings quickly earned a reputation as one of the fairest and most beautiful ladies ‘who robbed men of their hearts, women of their lovers, and never lost herself as she moved through the glittering court of Charles II, in unblenched majesty.’ Noted for rebuking the advances of James Duke of York and his brother the king, Fanny Jennings married twice.  Her first husband was George Hamilton whom she married when she was seventeen and with whom she had at least three daughters. After George was killed in battle in 1676, Fanny was left a young widow of little means.

As one of the most ‘conspicuous ornaments’ at the Duchess of York’s court, it was not long before the widowed Mrs Hamilton remarried.  From the multitude of eager suitors who fawned over her, Fanny married Richard Talbot in 1679. In 1685, Richard was sent to Ireland to take command of King’ James II’s forces and to support the Roman Catholic influence. Fanny and her three daughters from her first marriage, went with him.  While in Ireland, the king created Richard Talbot, Duke of Tyrconnell.  As Duchess, Fanny held ‘her state as vice – queen with much state and magnificence’.

At Dublin Castle, she entertained the king with ‘French urbanity and Irish hospitality’ in 1689. Following his defeat at the Battle of the Boyne the following year, King James returned to the castle where it is alleged, the Duchess in ‘all the splendour of court etiquette’ greeted him at the top of the staircase in her full robes and ‘with all her attendants’ knelt on one knee and ‘congratulated the king on his safe return to Dublin, and respectfully inquired what refreshment he would be pleased to take at that moment’.

After James’s defeat, the Tyrconnells followed the exiled court to St Germain, where Fanny remained for several years.  Following the death of the duke, Fanny once more found herself impoverished. Records of the English Canonesses of the Holy Sepulchre in Liege, note the demise of the widowed duchess’s finances. She was also among recipients of a pension which James II received from the Pope, her share amounted to no more than 3,000 crowns or £400. 

By 1705, Fanny resorted to desperate measures and hired a stall under the Royal London Exchange, a fashionable haunt of wealthy ladies, from which she sold hats and some small items of general ‘haberdashery.’ However, keen to hide her identity, Fanny wore a full length white dress and a white lace mask to conceal her face. Her experience was dramatized in the 1840s as a successful play, ‘The White Milliner’ and performed at Covent Garden.

The following year, Fanny returned to Dublin and eventually obtained some of her deceased husband’s property.  Her days of entertaining the king at Dublin Castle were long gone, and Fanny, a widow, poor, penniless and proscribed, withdrew from the world she once knew, and took up residence in her husband’s former house on North King Street where she established a nunnery for the Poor Clare sisters.

As a devout Catholic she travelled with her many books of devotion, and endowed the Scots College in Paris for the saying of masses for ever, for the souls of her dead husbands and herself. 

In Ireland, she was among a coterie of women whose names became associated with the ‘gallant efforts that were made by religious orders of women to offset the worst effects of the penal laws in the field of education for the children of the Irish Catholic aristocracy’. Some years before her death, Fanny became a nun with the Poor Clares, some of her granddaughters subsequently joined the same order.  In the late 1680s, Fanny had incurred a debt with a ruthless creditor from whom she borrowed for the ‘purpose of helping out the newly founded Royal Benedictine Community of Benedictines’ at Ship Street in Dublin. 

The celebrated beauty and remarkable lady that was Fanny Jennings, ended her days as a nun with the Poor Clares on North King Street, where she died aged eighty-two on 6 March 1730. Her body was laid to rest across the city in St Patrick’s Cathedral three days later on 9 March.

Thanks to herstorian Damien Duffy for this herstory.


CONSTANCE WILDE (HOLLAND) / Campaigner for suffrage & rational dress


Campaigner for suffrage and rational dress, and wife of Oscar Wilde


1859 – 1898

In Oscar Wilde: a Summing Up, Lord Alfred Douglas, the love of Wilde’s later life, wrote about Wilde’s marriage to Constance Lloyd. He characterised it as ‘a marriage of deep love and affection on both sides’. Oscar described Constance as ‘quite young, very grave, and mystical, with wonderful eyes, and dark brown coils of hair’. His mother thought her: ‘A very nice pretty sensible girl-well-connected and well brought up’. Yet Constance, who had a troubled adolescence, could appear shy and lacking in confidence.

A recent upsurge in interest – exemplified by Franny Moyle’s excellent biography Constance: the Tragic and Scandalous Life of Mrs Oscar Wilde and my own Wilde’s Women - reveals a bright, progressive and politically active woman who was as loyal and true to her errant husband as her name suggests. Newspaper accounts of the time pay tribute to her beauty but also cover her campaigns for the greater participation of women in public life, and praise her aptitude as a public speaker.

Constance spoke excellent French and Italian. She was also a remarkable accomplished pianist. Her strong views on dress reform led her to join the committee of the Rational Dress Society in order to campaign for an end to the ridiculous, restrictive fashions that prevented women from leading fulfilling lives. In ‘Clothed in Our Right Minds’, a lecture she addressed to the Rational Dress Society in 1888, she advocated the wearing of divided skirts, insisting that, as God had given women two legs, they should have the freedom to use them. She broadened her argument to suggest that women deserved a wider role in all aspects of life. 

A member of the Chelsea Women’s Liberal Association, Constance campaigned to have Lady Margaret Sandhurst elected to the London County Council. Addressing a conference sponsored by the Women’s Committee of the International Arbitration and Peace Association on the theme ‘By what methods can Women Best Promote the Cause of International Concorde’; she stressed the importance of encouraging pacifist ideals at an early age and insisted: ‘Children should be taught in their nursery to be against war’. Her speech ‘Home Rule for Ireland’, delivered at the Women’s Liberal Federation annual conference of 1889 was praised in the Pall Mall Gazette.

Yet, Constance’s world fell apart when her husband was arrested and imprisoned for gross indecency. Obliged to flee abroad with her young children and to change her family name to Holland, she did everything she could to help Oscar. Tentative attempts to effect reconciliation were brought to an end when she died as a result of a botched operation performed in an Italian clinic in April 1898. She was thirty-nine years old. Regrettably, Constance is often portrayed as a figure of pity. In reality, she was strong and courageous, warm and true, and she met the many challenges she faced, including debilitating health problems, with steely determination.

Thanks to herstorian Eleanor Fitzsimons for this herstory.

CESAIRE / Mythical First Woman in Ireland


The Mythical First Woman in Ireland

As part of our celebration of the women who shaped Ireland, we felt it important to celebrate the mythical women whose stories have inspired our culture and heritage. For our first mythical woman, we’re going right back to the beginning.

Irish mythology has no story of the origins of mankind. Instead, our earliest stories tell of this land and the people that came to it. These magical races that were there long before the Celts, these peoples that retreated underground to become gods and fairies. But there were older peoples still; the proud Nemedians, the doomed Partholonians and the very first, the followers of Cesaire.

Cesaire was born somewhere in Northern Africa. She was said by some to be the granddaughter of an Egyptian priest, and by others to be the granddaughter of Noah (yes, that Noah!). Either way, her grandfather knew that a great flood was on the way. To avoid drowning, Cesaire built three arks and set course for an island far west, untouched by any sin and, as such, spared (she hoped) from the flood.

She gathered together one hundred and fifty women of art and skill. Warriors and weavers, healers and poets, bringing with them all the skills they would need to survive in a strange place. Her father and brother, not allowed on Noah’s Ark for their sins, begged her to let them come with her. She took them, and her husband Fintan, on one condition: that they forsake the god of Noah and submit to her.

Cesaire’s voyage lasted seven years, and she traversed the known world, losing two of her ships to storms along the way. When she arrived at last, and set foot on Ireland, three lakes are said to have burst forth in welcome.

Cesaire divided her followers into three groups, and put one man with each group, to keep the women satisfied. Under ancient Irish law, a woman could divorce her husband if he didn’t keep her sexually satisfied. Interestingly, this didn’t apply the other way around!. Her poor father wasn’t up to the task, and soon died. They re-divided into two groups, but Cesaire’s brother, wounded on the long journey, also did not last long. When her husband Fintan discovered that he was the only man among one hundred and fifty women, he fled, and lived wild in the caves and mountains, learning to shape-shift in order to survive.

What became of Cesaire is not clear. In some versions, the flood found her and wiped out her fledgling colony. In others, plague or sickness took them. Many credit her and her followers with being the first occupants of Ireland!

Our thanks to Sorcha Hegarty for this fantastic herstory!

CHARLOTTE WHEELER CUFFE / Botanist & Botanical Illustrator


Botanist and botanical illustrator

Surrey / Burma / Kilkenny

1867 – 1967

The botanical art collection at the National Botanic Gardens in Glasnevin is home to the work of a number of women botanical illustrators, among them the remarkable Lady Charlotte Wheeler Cuffe. During a long residence in Burma from 1897–1922, Cuffe became a celebrated plant hunter, botanist and botanical illustrator, and founded the garden that is now the National Kandawgyi Botanical Gardens at Pyin U Lwin, Burma.

Cuffe was born in Surrey but married an Anglo-Irish civil engineer, Sir Otway Wheeler-Cuffe of Kilkenny. He was employed in imperial service and shortly after their marriage in 1897, the pair moved to Burma, where they would remain for 24 years.

Cuffe was a talented artist who produced hundreds of botanical illustrations during her residence in Burma, mainly of orchids and rhododendrons. These were made from life, on the spot, and showed the entire plant in the context of its habitat. In this respect her botanical illustrations differ from those produced purely for the purpose of scientific study, that emphasise stamens and pistils.

But Cuffe was not just an observer. By accompanying Otway on official road inspection tours, she had access to remote parts of the country rarely visited by other Europeans. It was during one of their tours of the country that Cuffe discovered two new species of rhododendron on Mount Victoria (Nat Ma Taung) – the white-flowered Rhododendron cuffeanum and the yellow Rhododendron burmanicum – and the anemone ‘Shadow’s blue buttercup’, so called from her childhood pet name.

In the early twentieth century, British ‘orchid-hunters’ travelled to the tropics to profit from interest in this exotic, varied species with its showy floral displays. This fashion drew more attention to Cuffe’s botanical illustrations and landscape paintings. Two of her landscapes were reproduced in colour in Scott O’Connor’s The Silken East: a Record of Life and Travel in Burma (1904) and some of her botanical illustrations were sold to private collectors. Cuffe indulged in her own passion for orchids through her art, and by developing a 150-acre botanic garden in Burma from 1916. A century later, that garden still exists as the Burmese national botanic gardens.

Cuffe wrote weekly letters detailing Burmese life to her mother and to her husband’s cousin in Kilkenny, Baroness Pauline Prochazka. She also corresponded with the keeper of the National Botanic Gardens, Sir Frederick Moore, sending him live specimens. The letters are in the archive of the National Botanic Gardens, Glasnevin, along with her botanical illustrations, which she donated in 1927.

On Otway’s retirement in 1921, he and Cuffe left Burma for his family seat at Lyrath, Co. Kilkenny. Cuffe kept a noted garden on the Lyrath estate, which is still maintained. Cuffe’s enduring links to private and public gardens in Ireland and in Burma are a fitting memorial to her life of adventure and learning.

Thanks to herstorian Dr. Angela Byrne for this herstory.

Image: Charlotte Wheeler Cuffe and husband (The Irish Times, 26.11.2015).

CHRISTINE LONGFORD / Playwright & Novelist



Longford & Dublin
1900 - 1980

Christine Pakenham, Countess of Longford, was a playwright and novelist who, along with her husband Edward, helped to found and finance the Gate Theatre in Dublin. She wrote several novels and plays.

Born in Somerset, England on September 6th 1900, Christine grew up in Wells and Oxford and attended Somerville College, Oxford, where she read Classics and Philosophy. In 1925 she married fellow student, Edward Pakenham, 6th Earl of Longford. The couple moved to Ireland, where they settled at the Pakenham family home, Pakenham Hall (now Tullynally Castle), in Castlepollard, Co Westmeath.

Christine published her first book, a historical study of life in Ancient Rome, in 1928 and she also wrote a non-fiction work, "A Biography of Dublin." Her novels have been praised by critics for their "deftly drawn characterisation" and "witty observation of human foibles."

It is for her work in Irish Theatre that Christine is best remembered. In 1928 her husband became Chairman of the Board of the Gate Theatre, Dublin and its main financial backer. Indeed, the theatre might not have survived without the support of the Longfords. Christine worked with her husband on all aspects of the management of the Gate. She began to write plays for the theatre, including "Queens and Emperors" and, in collaboration with Edward, an adaptation of Aeschylus's Oresteian Trilogy.

Christine's own plays included a number focusing on Irish history. She adopted novels by Jane Austen, Maria Edgeworth and Sheridan Le Fanu for the stage and also had a success with a stage version of her novel "Mr Jiggins of Jigginstown." In all she wrote some 20 plays. After enjoying one of her comedies, a critic called Christine "a great benefit to humanity."

In 1936, Christine and Edward formed the Longford Players. The Players spent the summer months at the Gate Theatre and the winter months touring the country. While on tour, Edward would sell the programmes while Christine looked after the box office. They were enthusiastic supporters of Irish language and culture and frequent visitors to Gaelic cultural events. They learned to speak Irish and were on friendly terms with politicians such as Eamon De Valera.

Edward Pakenham died in 1961, and Christine left Westmeath and wound up the Longford Players. She remained in Dublin, serving as Managing Director of the Gate Theatre until ill-health forced her retirement in 1964. However, she remained on the board of the Gate until her death. She worked as a book reviewer for The Irish Times and also appeared on Radio Eireann Arts programmes. For her services to theatre she was given honorary life membership of Irish Equity in 1967. She received an Honorary Doctorate from the National University of Ireland.

Christine Longford, the reserved, chain-smoking Englishwoman who did so much for Irish theatre, died in Dublin on May 14th 1980, aged 79. A bust of Christine was unveiled in the Gate Theatre in 2015.

Thanks to Herstorian Ruth Illingworth for this herstory. 

Image: Christine Longford by Henry Lamb.

LUCY, MARCHIONESS OF WHARTON / Society hostess and vicereine of Ireland


Society hostess and vicereine of Ireland


c. 1670–1717

To some, Lucy Wharton was ‘the witty fair one’, irresistible to anyone who had ‘the honour of tasting her easy and agreeable conversation’. To Lady Mary Wortley Montagu, she was ‘a woman equally unfeeling and unprincipled: flattering, fawning, canting, affecting prudery and even sanctity, yet in reality as abandoned and unscrupulous as her husband’. The truth probably lay somewhere in between.

Born in around 1670, Lucy was the sole surviving child of Adam Loftus, 1st Viscount Lisburne and Lucy Bridges. Though not a great beauty, her looks were described as ‘so agreeable, that one cannot defend one’s heart against her’. Her father’s death in September 1691 also left her appealingly wealthy, with £5000 per year and lands including the Rathfarnham estate outside Dublin. Unsurprisingly, she had no trouble finding a husband. By January 1692, she was being referred to as the ‘new mistress’ of the widowed Whig politician, Thomas Wharton. By July, she was his wife.

The Whartons’ marriage would be unconventional even today. In the seventeenth and eighteenth centuries their behaviour was nothing short of scandalous. Thomas was notorious for his debauchery and Lucy too was known for what were politely called ‘her little excursions of love and gallantry’. Thomas did not react to her extra-marital liaisons as one might expect however, for far from being outraged at her affairs he instead encouraged them. His reasoning, according to Jonathan Swift, was that he felt himself ‘well recompensed by a return of children to support his family, without the fatigues of being a father’. Ultimately, Lucy bore three children; Philip in 1698, Jane in 1706 and Lucy in 1710. Whether they were Thomas’s remains to be seen.

Thomas (who was created Baron Wharton in 1696 and Earl of Wharton in 1706) was appointed Lord Lieutenant, or viceroy, of Ireland in 1708 and he and Lucy travelled to Dublin from their English seat, Winchendon, the following April. From their base at Dublin Castle they ran an establishment at which ‘dancing and dice’ were the order of the day and Lucy received their guests with what the eighteenth-century historian and distant relative, John Oldmixon, referred to as ‘that humanity and easiness, which adorn all the actions of her life’. Pregnancy prevented her from accompanying Thomas on his second and final trip in 1710, but from London she had petitions for friends fast-tracked by her husband’s secretary and took meetings with Irishmen visiting England who hoped she could secure them an Irish preferment from the Earl. Her tenure as vicereine may have been brief, but it demonstrated the social and political possibilities of the role and would be built upon by her successors.

Thomas died in 1715, soon after being raised to the rank of Marquess. Lucy followed just two years later and was buried with him at Winchendon. Her will is noticeably devoid of many of the religious sentiments common to the day, a final example of her lifelong disregard for the rules of polite society.

Thanks to Dr. Rachel Wilson (University of Leeds) for this week's herstory

RHODA COGHILL / Pianist, composer and poet


Pianist, composer, and poet


1903 – 2000

From youthful beginnings as a piano prodigy to a career featuring a string of solo concerto appearances and a thirty-year residency as official Radio Éireann/RTÉ accompanist, Rhoda Coghill was one of the finest Irish musicians of the twentieth century. Not only an outstanding performer, she also demonstrated a precocious gift for composition. Nor were her talents confined to music either: in middle age, she surprised Dublin’s literary scene by revealing herself as a poet in the well-received collections The Bright Hillside (1948) and Time is a Squirrel (1956). Coghill managed to carve out an independent livelihood in the arts—never an easy task—during an era when Irish society was hostile towards professional women. The story of Coghill’s success lies in how she subtly made herself indispensable to the nation’s musical infrastructure in the post-Free State decades.

      The youngest of nine children, Coghill was born in 1903 to a middle-class family living at 100 Marlborough Road, Donnybrook, Dublin. Her Scottish father worked as a printer for Eason, while her Dublin mother gave Rhoda her first piano lessons. Subsequently enrolled in the Patricia Read Leinster School of Music, the ‘child pianist’ was billed as a star attraction at the capital’s Theatre Royal at the age of 15. By her early twenties she had a MusB degree from Trinity College Dublin (a rare feat for a woman in the 1920s), bagged every piano trophy in the annual Feis Ceoil competitions, and glimpsed international success with a London debut. Following a stint studying in Berlin, Coghill returned to Ireland for good.

      At home, she became a force in nation-building cultural initiatives. Returning to the Feis Ceoil, she worked, variously, as accompanist, adjudicator, and arranger. While Ireland lacked a professional orchestra Coghill was active in efforts to remedy this situation. With the formation of the Dublin Philharmonic Society Orchestra in 1927, she multitasked as piano soloist, occasional double-bass player, and behind the scenes on the managing committee.  Around the same time, she began broadcasting on 2RN, the state’s first radio station.

      Coghill was appointed Radio Éireann accompanist in 1939, remaining with RTÉ until retirement in 1968. Collaborating with visiting international artists and local musicians, she further used her connections to promote her compositional activities. As a student in 1923 Coghill had penned what is now regarded as one of the the most progressive Irish scores of its era (Out of the Cradle Endlessly Rocking, for orchestra, choir, and tenor soloist). In 1939 she exploited RÉ’s resources to organise Cradle’s first, reduced, performance and later enlisted RÉ/RTÉ singers in recitals of her vocal pieces.

      A devout Quaker and a modest, unassuming woman, Coghill lived until the age of 96, spending her last years in a retirement home. She never married, perhaps never intended to— but marriage would have forced her resignation from RÉ/RTÉ as per Civil Service rules, effectively curtailing her public career. Virtuoso performer, composer, and poet: Coghill’s portfolio of artistic achievement was remarkable. Equally impressive was her commitment to the collective project of promoting art music in this country. Her near century-long presence in Irish musical life is unique. In 1990 at the age of 87 she finally heard the full premiere of Cradle. This work is set for a revival in the National Concert Hall’s 2016 Composing the Island Festival.

Special thanks to Dr Laura Watson (Maynooth University) for this week's herstory

CELIA HARRISON / Painter, feminist, nationalist and social reformer


Painter, feminist, nationalist and social reformer.

1863 – 1941

Sarah Cecilia Harrison was born into a well-known and well-off nationalist family in Holywood, County Down in 1863. She moved in 1873 with her family to London and it was there that she began to paint and to study art seriously. She won several awards while she studied at the Slade School of Art, she exhibited her paintings and travelled on the continent to further her studies. In 1889 she moved to Dublin where she established a reputation as one of the country’s leading portrait painters. She began a longstanding and productive relationship with the Royal Hibernian Academy to which she submitted more than sixty works over her career. She also submitted many works to the Royal Academy in London and became a member of several societies including the Ulster Academy of Arts. She remained a highly accomplished and respected artist who was frequently asked to exhibit and to teach.

Known to her friends and family as ‘Celia’, Harrison was exceptionally well-known in feminist and social reform circles. She was an active member of the Irish Women’s Suffrage and Local Government Association, serving on its committee and attending ‘monster’ suffrage meetings in London as a representative of the organisation. Her portrait of Anna and Thomas Haslam, founders of the IWSLGA, is one of her best known works and is kept in the Hugh Lane Gallery. Harrison was a friend of Hanna Sheehy Skeffington and co-operated closely with her Irish Women’s Franchise League on a number of feminist campaigns. She objected publicly to the force-feeding of suffragettes, but she remained implacably opposed to suffrage militancy. In this she was at odds with Sheehy Skeffington and some of her circle, but feminists of all persuasions came together to support Harrison’s candidature for election to the Dublin Corporation. They lobbied, fund-raised and campaigned for Harrison who in 1912 became the first female councillor to be elected to the Corporation. She was an active member, championing the rights of the poor, of women and of the unemployed, and becoming a tireless critic of corruption with Irish local government. She described the local government register as ‘disgraceful’ as the number of bogus voters on it allowed unionists and nationalists ‘to get their opponents off and their friends on’. This would not have made her popular.

Harrison’s nationalist credentials were impeccable: her brother was the nationalist MP Henry Harrison, and her great uncle was the United Irishman, Henry Joy McCracken. Her implacable support for the Irish Party at a time when many Irish radicals were beginning to flirt with more radical alternatives brought her into conflict with some republicans and feminists, especially in 1912 when she refused to condemn the Irish Party for putting Home Rule before women’s suffrage. So sincere was her support that she campaigned for the Irish Party candidate who stood against Constance Markievicz in the 1918 general election. Yet, her relations with most feminists remained friendly, despite disagreements over nationalist tactics and loyalties. She worked with them on a number of campaigns including the promotion of free school dinners for poor children and maternal health care. In her work with Trade Boards, women’s trade unions and in her pioneering promotion of allotments, she also worked with many prominent trade unionists and socialists.

As an array of feminists, including republicans, unionists, socialists and militants, prepared to campaign for her re-election 1915, Hanna Sheehy Skeffington warned that ‘the women of Dublin will regard it is as an insult, and a fresh indication of the low status in which they are held by men in relation to public affairs, if Miss Harrison should be removed from the corporation in January’. But, she was not re-elected, partly because she had proved unpopular with some vested interest groups. Despite her unwavering loyalty to the Irish Party, Harrison was also a victim of its stubborn and ultimately ruinous refusal to take women politicians seriously. Never taken on as a formal local government candidate, she did not enjoy the protection and resources of the Party machine and she was never given the opportunity to strengthen the Party’s support among Irish women. Her short formal political career and her support for what turned out to be the ‘wrong side’ in early twentieth century Ireland, help to explain why so little is known about her energetic and pioneering political career.

It is unfortunate, though perhaps not surprising, that Harrison is best known for her complex relationship with Hugh Lane. The two were close friends and she was a strong supporter of his gallery. She did a good deal of voluntary labour for Lane and was devastated by his death in 1915. She eventually fell out with his family over her claim that the couple had planned to marry, and she disputed the validity of Lane’s will. She may have been unpopular with some of Lane’s supporters (some apparently called her ‘Saint Cecilia’ behind her back) but she remained central to continuing attempts to find a permanent resolution to dispute over the Hugh Lane bequest.

Harrison remained deeply interested and involved in various aspects of Irish political and cultural life into her old age. When she died in 1941 she was buried in Mount Jerome cemetery, under the modest inscription ‘Artist and Friend of the Poor’. This is an accurate tribute and would probably have met with her approval. But it belies her remarkable career as a politician and social reformer and as one of the most energetic of all that generation of Irish women whose tireless efforts led to granting of women’s suffrage in 1918.

Thanks to herstorian Professor Senia Paseta for this week’s herstory.

MADAME DRAGONFLY / Entomologist and explorer


Entomologist and explorer

London / Cloyne, Co. Cork / South America

1896 – 1991

Cynthia Longfield, ‘Madam Dragonfly’, was born in London in 1896. Her home schooling there was interrupted by regular visits to her maternal grandparents’ farm in Cloyne, Co. Cork, where she enjoyed roaming the countryside. Her early love of science and nature grew into a lifelong passion, and she became a leading authority on dragonflies and damselflies.

Longfield’s interest in the sciences was fostered in childhood, with her mother’s encouragement. She was inspired at an early age by reading about Charles Darwin’s theory of evolution and his Beagle voyage of 1831–6. She absorbed the importance of fieldwork and travel, which played an important role in her life and in her scientific work.

It was in 1921, during her first overseas tour – taking in Brazil, Argentina, Chile, Bolivia, Peru, the Panama Canal, Jamaica and Cuba – that her passion for entomology blossomed. In 1924, she participated in the St George Scientific Expedition, an 18-month-long re-enactment of Darwin’s Beagle voyage to the Galapogos Islands, where Longfield collected moths, beetles and butterflies for the Natural History Museum in London.

 Following this, she worked, unpaid, as a cataloguer at the museum, where she had responsibility for the dragonfly collection. Her personal circumstances freed her from the need for paid employment. She would remain in this post for thirty years, and continued to travel in search of specimens. In 1927, she participated in a six-month scientific expedition in the Mato Grosso, Brazil, where she collected 38 species of dragonfly, 3 of which were new species. She went on to make scientific expeditions to Southeast Asia in 1929, where she collected hundreds of moths and butterflies; to Kenya, Uganda, Rhodesia and South Africa in 1934, where she identified six new species of butterfly and dragonfly; and to Cape Town and Zimbabwe in 1937. She contracted malaria in 1937 and was forced to return to London, and was prevented from returning to Africa by the outbreak of the Second World War. During the war, she volunteered for the Auxiliary Fire Service – she had also joined the Royal Army Service Corps and worked in an aeroplane factory during the First World War.

Longfield did not limit herself to quietly cataloguing species in the museum. She regularly published her findings, sat on museum committees, and was a member of the Entomological Society, the Royal Geographical Society and the London Natural History Society. In 1937, she published the sell-out The Dragonflies of the British Isles, which became the standard handbook on the topic.

She retired from London’s Natural History Museum in 1957 and returned to Cloyne, Co. Cork, but never stopped travelling or studying entomology. Two dragonfly species were named in her honour: Corphaeschna longfieldae (Brazil) and Agrionopter insignis cynthiae (Tanimbar Islands). She donated her personal archive and library, some 500 volumes, to the Royal Irish Academy in 1979, and her Irish specimen collection to the Natural History Museum in Dublin.

Thanks to herstorian Dr. Angela Byrne for this week’s herstory.